With a rigorous and pan-idiomatic approach to both composition and improvisation, guitarist Ken Aldcroft is a key practitioner in Toronto’s dynamic creative music scene. Through his commitment to a wide-open field of musical influence and to forging new collaborative ties, Ken has systematically sought new and challenging contexts in which to improvise. As a result, his playing reflects the breadth of his interests, from the extended bebop of a jazz repertory project like Hat & Beard, performing the music of Thelonious Monk, to the language of free improvisation that he explores in collective improvisational settings such as ongoing collaborations with NY bassist William Parker and saxophonist Andy Haas or one off performances with artists such as Wilbert DeJoode, Joe McPhee, John Oswald and Lori Freedman to name just a few.
The music of American saxophonist and scholar Jason Robinson (“rugged and scintillating,” New York Times) thrives in the fertile overlaps between improvisation and composition, acoustic music and electronics, tradition and experimentalism. Initially a devotee of post-1960s jazz and creative music, Robinson is celebrated for bringing together various historical directions in jazz–bebop, post-bop, the avant-garde–with an improvisatory and compositional sensibility drawn from and extending the languages of John Coltrane, Albert Ayler, Duke Ellington, Charles Mingus, and Lester Young. His musical interests, however, span far and wide. He is a critically acclaimed distinctive voice in a new generation of creative musicians in equal dialogue with jazz, popular music, experimental music, and electronic music.
with IAN BAIN
$10 or PWYC
Doors 730pm, Music at 8pm