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    Music Lives Goes Print Update 1

    This is a BIG THANK YOU to everyone that has already contributed or helped spread the word about our campaign to go to print.

    The last couple of weeks we have seen a lot of great live music in Guelph and we’ve been to almost every show. Attendance has been great! Summer usually means show attendance drops a little with a lot of people away on vacation or home for the summer, but this year attendance is steadily climbing each show. Working with the bands, from Guelph or abroad, local promoters and live music fans, there is a positive momentum in our scene I think everyone can feel building. For us specifically, we are already really excited with how things are going but we also feel that we’re just getting started.

    20130610195816-indiegogoBannerThe Music Lives Mix Perk is coming along great! We’ve already received a half dozen songs from Guelph musicians and have confirmed a half dozen more. Ambre McLean (she’s got some unreleased material!), Arkham Awaits, Bowjia, Breadfan, brand new Good For Naughts, Jordan Raycroft, Barrett’s Privates and more, have all graciously donated songs. With such a diverse talent pool of Guelph musicians getting on board we might have to make it a double disc!

    We couldn’t be happier with our campaign‘s progress so far and we are a little overwhelmed with gratitude. Thanks you so much for the support so far.

    Alex Ricci & The Still Nothing: Imprints Album Review

    Alex Ricci is a man of many bands and styles. He’s been an active part of the Guelph music scene, attending shows and playing in many bands, over the years.  Imprints is the first full length album by his newish band, Alex Ricci & The Still Nothing. It’s already available on their Bandcamp for digital download with the official Guelph CD release party happening June 20th, at The eBar.

    While listening through Imprints the first time, a few songs jumped out at me immediately, but I got lost in the middle somewhere so went back, plugged in my headphones and really listened.  Alex Ricci & The Still Nothing have started with great indie/pop/rock songwriting and didn’t let those fundamentals get away from them. Imprints is produced with a raw consistency that was lost somewhere in the late 80s or early 90s, before Bass Boost and modern sound compression. The warmth you feel from listening to Imprints is in the details. Yes, at first listen, you might confuse the record with any DIY album from someone with above average production or recording skills. What you should actually be listening for are the horns used on Mysterious Words,  Take The Pen and others. The want to jump in a car and take a road trip when the opening track, Moving On, starts. The way Living In the Past makes me smile for no reason at all.  You should be paying attention to the vocal harmonies and harmonica in the song End Of The World.

    I’m sure some of these songs have been rattling around for a while but I’m glad Alex Ricci & The Still Nothing recorded and released this album as quickly as they did. Imprints has it everywhere it needs it without anything sounding hurried OR over done. At a time where DIY bands with studios are too often left to their own devices, it’s great to hear that Alex Ricci & The Still Nothing know how to use them.

    Come see them perform live at GAIN Music presents Alex Ricci & the Still Nothing ‘Imprints’ CD Release.

    Guelph Music Club: First Week Wrap-Up

    Guelph Music Club had our first round of sharing this week. It’s not too late to join and it’s not just for Guelphites. Click the following links for more info on the assignment or the rules, Our first writing assignment, which ran for this, and runs for another 4 weeks, is Top 5 Albums from 1963 to 1973. So far, I’ve only been surprised by a few choices. But it’s only Week One! I’ll do this every week, but this week is important so you can follow us all on Twitter, and get a brief introduction. Here is how the first week shaped up.


    220px-Ascension_albumMegan or @MMBRIS ‏started the assignment, making the first post of the week, choosing  John Coltrane , Ascension as one of her Top 5.  When Megan writes “I was 16 and decided to go grab a copy of the cd from my local HMV, having had to have it ordered in at that time. Read More… I actually had to stop reading to think about what I was getting ordered, to my local record store at, 16. Probably Pop Will Eat Itself albums, because I had heard Trent Reznor liked them.

    The same day, Pat AKA ‏@Type1DIABEETUS picks Deep Purple’s Machine Head as one of his albums. “My dad was the first person to play this album for me when I was a kid and it has stuck with me ever since. Read More… If you’ve read my post for this week you already know I also have a father with impeccable taste in music, even if mine turned his back on it for a while. And yes, there are more fatherly themes to come. Pat can also eat a cooking onion like an apple. I’ve seen him do it. It’s impressive.


    220px-TheDoorsTheDoorsalbumcoverOur Metal/Punk contributor ‏@Chucky667 picked a record by a band that has been on every music lovers mind this week as keyboardist Ray Manzarek of The Doors passed away. This album isn’t in my Top 5, but I do know what ‏Chuck means when she says, “They were ahead of their time, and continue to stand apart from other bands, even to this day. Read More…” The Doors‘ sound was never duplicated, especially that keyboard/organ. You know a song by The Doors as soon as you hear it.


    NurseryCryme71Rob over at Sound In My Memory talks about one of his favourite bands, Genesis. I’m not surprised that ‏@soundinmymemory picked a prog band for his first entry. I’ve been reading his blog longer than I’ve had my own. What actually stood out to me was, “I regret that I allowed Genesis to be dismissed as a pop band for as long as I did. Read More…” Bands evolve over time and Genesis are a perfect example of that. I actually got into the band’s back catalogue because of a live DVD I’d seen, and was impressed by, during the Gabriel years. Otherwise, I also would have “Thought of Genesis as if they were just Phil Collins’ back-up band.”


    220px-Pious_BirdThe end of the week scramble beings on Friday, first with ‏@kirstmck2 picking Fleetwood Mac – The Pious Bird of Good Omen. A lot of people forget that Fleetwood Mac were around long before  Rumours. They had a few different changes before settling with the “classic” Mick FleetwoodJohn McVieLindsey Buckingham and Stevie Nicks line-up. “Santana later popularized the album’s “black magic woman” and most listeners are none the wiser to its origin. Read more…” What?! My whole life has been a LIE! My favourite Santana song, is actually a Peter Green song! MIND = BLOWN! Thanks for crumbling my universe Kirstie.

    220px-The_Band_(album)_coverartI didn’t really get into The Band by The Band,  @MatCalverley‘s first pick, until I was in my late twenties. They had a hippie stigma attached to them, in my mind anyway, and I was metal. I had long hair and was called a hippie all the time. So after the long hair went, I was able to appreciate The Band. “It’s an album of sitting around, drinking bourbon, cold nights, and warm spirits. Read more… I agree with Mat‘s sentiment exactly, except I prefer a smokey Scotch to bourbon.

    David_Bowie_-_Hunky_DoryWho starts with David Bowie‏@MikeGamble that’s who!  Hunky Dory to boot. As some of you know, David Bowie is my favourite recording artist of all time. Mike pretty much sums up why when he says, “The catchiness and accessibility of every song, the guitar playing of Mick Ronson and just the overall “feel” of the album as a whole. You can really start to hear where Bowie was going to go in the future with his music. Read More…” Bowie did take a lot of chances with his music, some of it was good, and some was bad, but it was all fascinating on some level.

    Led_Zeppelin_-_I wrote some words too, picking Led Zeppelin’s IV as my first album for the assignment. I talk about being grounded, Lord of the Flies, tape trading and  more! Read it here.


    I guess I should be flattered that @Bejulip totally copied me! Just kidding. Her reasons for liking Led Zeppelin IV are completely different than mine. My favourite being, “It was an album so cool it didn’t even need a name. Led Zeppelin IV should totally beat Prince up for pretending he was the first one to think of it. Read more…

    220px-StoogesRawPower@whiskysodacider finished up the week one posts with her choice, Raw Power. An album I didn’t discover until late into my musical journey.  “Raw Power is exciting and hyper music that you can dance to. Read more…” You can dance to it, but I probably shouldn’t.

    Week two is already well underway, with about half of Guelph Music Club already having posts done. If you want to read those, check out #GuelphMusicClub on Twitter and follow this list!

    Waiting For The Angels Of Avalon

    I got grounded a lot as a teenager. My parents thought it was the only form of discipline that worked. You know, to teach me a lesson. I’m not so sure it was, but in hind sight, I’m starting to believe that’s where my love of music started. I’d lock myself in my bedroom with my Dad’s record collection, which was small compared to my collection now, but filled with amazing classics.

    Led Zeppelin’s IV (1971), Zoso, Symbols or whatever you want to call it, was one of the albums I discovered. This was probably after Grunge had run it’s course. I was a late bloomer in a lot of ways and music was one of my outlets to deal with that. Without being able to go to the record store after school, I had no new tapes to throw into my Sony Sports Walkman. My friends and I did trade tapes, but without me having anything new to trade with them, that was a resource that dried up pretty quickly. $1 for a tape was a lot of money back then, minimum wage was $5.65, so I couldn’t blame them. Really, digging through my Dad’s vinyl became a necessity.
    I first heard Led Zeppelin‘s, Whole Lotta Love on a compilation record, which I turned it off as soon as the song had finished, to throw on Zoso. I’d been read Tolkien as a kid and my Dad told me that Led Zeppelin had a lot of songs about the books. So you would think I’d read them again right? Nope. Another thing that I started to do, while being grounded, was my homework. Album on repeat, reading Lord Of The Flies not The Rings. They suited each other perfectly, and I fell in love with reading too.
    I’m not doing my Top 5 Albums from 1963 to 1973 for #GuelphMusicClub in any kind of order, but this is one of those stars aligning, timing being everything, type of things. Sure, I like a couple of their albums more now, but had I not been grounded at a time when my my musical curiosity was at it’s peak, I may have never have discovered Led Zeppelin at all. Wrap your head around that for a minute.

    American Hell, Anu Beginning, Unbowed, and Jetpacks to Jupiter at Red Papaya

    The long weekend kicked off with a bang, with GAIN Music and KronikNoise hosting American Hell, Anu Beginning, Unbowed, and Jetpacks to Jupiter at Red Papaya on Friday, May 17.

    Red Papaya is a large Thai restaurant – and bless their hearts, they also host metal shows! It was my first time there, and I must say, it’s a pretty cool venue with ample space for bands and fans. The restaurant has a few tiered levels of seating, and that makes for some unique vantage points for seeing a show.

    Between working the doors, catching up and making connections with other local metal heads, I was able to take in enough of the show to let you know that if you weren’t there … you missed a good time! This was a high energy show and a good size crowd came out to see some excellent Ontario metal.

    Stoney Creek’s Jetpacks to Jupiter kicked off the night with their rock/pop/alternative sound. Surprisingly, this was only the band’s second show, and I can’t think of a better way to say this – man, do these guys really have their sh*t together! They sounded great – very polished (in a good way) – and have obviously spent some time crafting their image, with a slick logo and a set of backdrops for their live show.

    Hometown melodic metal band Unbowed took to the stage next and delivered a powerful set consisting mostly of songs from their upcoming album, and WOW does the new stuff sound good! Last time I talked to the guys they said the new album was being recorded this summer, so keep an eye – er, ear – out for that. Unbowed drew the largest crowd of the night to the front of the stage, and were even successful in getting a little circle pit going. That’s right Guelph, there was a circle pit at Red Papaya. I think we need to give some credit to the boyz in Noiz A Noiz for that too.

    4/6th of Mandroid Echostar look on as Anu Beginning get the Red Papaya jacked up!
    4/6th of Mandroid Echostar look on as Anu Beginning get the Red Papaya jacked up!

    London’s Anu Beginning kept the energy rolling and prepped the stage for the main act.

    Niagara-area metal heads American Hell finished off the night and delivered some seriously satisfying headbangs. The current lineup has been together since 2010 and American Hell has been working the festival circuit and sharing the stage with some big names. Their experience shows – riffs were tight and frontman Craig Laro really knows how to get the crowd worked up. A full-length album is expected from American Hell sometime this year.

    If you like it loud, don’t miss the next GAIN Music & KronikNoise event on Friday, May 31 with Skynet, Partycat, Seducing Medusa and Kennedy.

    Guelph Music Club Homework Assignment #1 – Top 5 Albums from 1963 to 1973

    Our inaugural topic for #GuelphMusicClub! During a chat on Twitter last week, a pile of music fans, bloggers, Guelphites thought it would be fun to read/write their own opinions on a weekly set topic. For the rules and break down, read this.

    So The Bookshelf News mentioned a Top 5 list based on decade, with the first decade being 1963 to 1973. We were going to start with bands, but most of us agreed that albums would be easier, especially for our first run at this. I also believe it will be easier to do ONE ALBUM PER WEEK rather than all five at once. Justifying why you love an album could take up to 500 words. Multiply by five. 2500 words. That’s too many for most of us to write in a month, let alone a week. Plus, now you know what you’re writing about for the next 5 weeks. Which, with peoples summer schedule, will be easier to manage.

    2013-05-16_18-47-51So, if I’ve made any sense here, for the next five weeks we’ll be exploring each others favourite albums from 1963 to 1973. Again, check out The Rules of Guelph Music Club if you want to join, and remember to use the #GuelphMusicClub hash-tag when you make your post so the rest of us can find it.

    I got a list together on Twitter for making participants easier to find.


    Mokomokai Are On My Radar

    Mokomokai is a band that I would have loved when I was thirteen. I would have had posters on my wall, T-Shirts, all of their cassettes. I would have followed them into my twenties, with the extra income I would have as an adult, I would have seen them live on all their Greatest Hits tours. Maybe Mokomokai are time travelers. As it turns out, they’re an up and coming band and I got to see them last Sunday at GAIN Presents (U) the Band, Mokomokai, Jeremy & the Pink Band and Waterbodies. A great all around line-up, down at the A.N.A.F. Club 344.

    What I noticed about Mokomokai right away, before I even entered the A.N.A.F., is that their singer John Ellis had the old-school Metal style. Tight jeans (not in the hipster kind of way), bullet belts (in the LMG kind of way), loosely tied high-tops (the FUBAR kind of way) and long hair (in the hair I used to have kind of way). John was a good twenty feet ahead of me while I struggled to get up to the venue door with my crutch (yeah, still on one crutch some of the time) and he held the door and waited for me to get in. Mokomokai people, are a courteous people. Then they hit the stage and became so much more than that.

    Mokomokai singer John has a angelic voice made of steel!
    Mokomokai singer John has a angelic voice made of steel!

    Have you ever been to a show where the audience high-fives each other as soon as a band starts playing? Because that’s what happened! As soon as the power-trio from Peterborough were grooving on the first song of their set, and John let out his first Rob Halford-esque wail, members of the whole audience looked at one another with giant grins and nodded. Mokomokai‘s whole sound is a throw back to the Classic Metal I grew up on, before the lace, lipstick and perms took over. They’ve compensated for the extra guitar players (a lot of NWOBHM bands have three) with speed and power. Simply put, Mokomokai play as loud and as fast as their bodies will allow. Drummer J.P. Contois nails a Led Zeppelin song. Who can say that?! Jeremy Pastic jumps around and makes the most insane faces while laying down a bass groove that kept the smiles on our faces through Mokomokai‘s whole set.

    Mokomokai: Rock so hard it turns to METAL!

    On stage, Mokomokai are aggressive, without being negative. Fun to watch, without being gimmicky. Different than anything new in The Metal you’ve heard in a while, without ignoring the fundamentals in The Metal‘s history. But mostly I’m a fan of Mokomokai because they ROCK SO HARD!

    See Mokomokai with Dance Laury Dance, Hellbros! and Little Foot Long Foot at Hard Luck Bar, Toronto, Thursday, May 16.

    See Mokomokai with Dance Laury Dance, Hellbros! and Little Foot Long Foot at The Atria, Oshawa, Friday, May 17.

    OR AS…

    Part of Pouzzafest at Pub St-Ciboire, Montreal, Canada.

    Grab their EP, Justice And Chrome, from their Bandcamp page.

    Hoodie Good – Show Review

    Hoodie Good is a name I recognize from posting shows in Guelph for almost two years but, up until Saturday, hadn’t had the opportunity to see live. Based on what I’d read, I expected a solo singer/song writer. I walked into The Cornerstone for week two of Hoodie Good’s May residency (brought to you by Fortnight Music) guessing they’d have their regular set up, guitar, amp, microphone. I was wrong. Drum kit, a table with some electronics, guitar, were all set up. Each musician’s spot was also set up with a vocal mic. Now I’m expecting at least a 3-piece. I grab a seat to the side of the stage, as The Cornerstone was very busy with Hoodie Good fans, and waited for the band to take the stage.

    Hoodie Good utilizes all of the gear on stage seamlessly. A modern take on the One-Man-Band.
    Hoodie Good utilizes all of the gear on stage seamlessly. A modern take on the One-Man-Band.

    A member of the band starts what I think is sound check and slowly the crowd starts to quiet down. What I didn’t realize, was that this IS the BAND. Hoodie Good gets on the drum kit and starts playing a beat, nothing fancy or complicated, just something to get the show going. As he stands up from the drum kit, I understand what some of the gear is to the side of the stage. The beat he was just playing continues in a loop. He stops at the table with the electronics and starts singing. Layering some subtle vocals over the drum beat. Finally, Hoodie Good moves to the front of the stage, straps on the guitar, and starts playing away and singing. One man, four instruments in a matter of minutes. I’m impressed.

    PWYC $5 or more and get a copy of Strange August. Do it!
    PWYC $5 or more and get a copy of Strange August. Do it! It’s great!

    As his performance continues I notice how efficiently Hoodie Good uses each station set up on the stage to add layers and loops of vocals and percussion to create a sound, that if you had your eyes closed, you’d swear a four or five piece band were making. Most of the songs performed have a firm foothold in Pop. Great hooks, sing along choruses, upbeat and heartfelt. If Hoodie Good weren’t so multi-talented, he’d need a full band to do his songs justice. Hoodie Good takes the if you want something done right, do it yourself attitude to a place where it’s perfectly executed, fun to watch, AND listen.

    Don’t miss Hoodie Good‘s last two nights of residency at The Cornerstone, Saturday, May 18th and/or Saturday, May 25th. Each has a different opening performer.


    Band Spotlight: Unbowed

    I recently got a chance to sit down with Alex Snape (guitarist) and Nick Lennox (drummer) from local metal band Unbowed, to talk about their recent EP and future plans. Though I would’ve preferred a Viking ship as the location to conduct our interview, they’re a little hard to come by, so me and the guys settled into the Red Brick Café for our chat.

    Unbowed was birthed in 2011 when Alex and lead singer Ioan Tetlow started working on the project in their basement. A lot of lineup changes ensued over the next few years as the band went through some growing pains. But as of January 2013, they finally have the lineup they feel will be successful in moving them forward.


    Self-described as “epic melodic metal,” Unbowed touches on a few other sub-genres, including viking, folk, black, and death metal. Where many of the local heavier bands tend to fall into the core and progressive sub-genres of metal, Unbowed definitely stand apart. But the guys don’t seem to mind, as the music community here is tight knit. “We’re aware that we’re pretty different. We know there’s no other band like us in Guelph … but all the [core] shows are so fun, and people receive us well.” says Alex. The guys credit local bands such as Mandroid Echostar, Arkham Awaits, and Wakeless with re-awakening the metal scene in Guelph within the last couple of years.

    A few months ago Unbowed released their first self-titled EP to much success, and the recording was well-received by metal heads across the country. The EP is a powerful, heavy, and beautiful set of cohesive songs. Most of the work was done by Alex, Nick, and Ioan, and was started when they were all in their early teens – which is an incredible accomplishment, because the EP sounds amazing. Upon first listen, the riffs are immediately catchy. After a few listens, you’re a solid new Unbowed fan. The music is big, and full, and exciting. Get ready to don your armor, because you’ll want to suit up for battle after you hear this.

    One of the elements that often sets melodic metal apart from other sub-genres is the inclusion of keyboards, and Unbowed say they always intended to include the instrument in their mix. “It opens up what you can do, you can have guitars playing the usual heavy stuff and then bring in a whole other atmosphere and bring in other layers of music” says Alex. Nick chimes in “Adding keyboards in gives it that grandiose kind of feeling.” And I completely agree – listen to the EP and you’ll see how well the keyboards compliment and don’t distract from the composition.

    Another great element of Unbowed‘s first EP that can’t be ignored is the artwork. The band came up with the concept, and then reached out to Polish artist Marta Sokolowska to put their vision to work. The idea behind the image of the man with the burning city in the background was about moving on – personally and professionally – having been through an exhausting couple of years with the lineup changes and getting the project off the ground. “Burn it and move on” was the general idea according to Alex.


    And the band is doing just that – they’re booking shows and working on recording a new album later this summer. According to the guys, it’s shaping up to be 13 tracks of all new music. When asked what the new album will sound like, Nick says “You can tell it’s Unbowed, but it’s a different vibe. The EP was a lot of Alex, but now that we’ve got six people in on this writing process, it’s just a different blend of sounds.” Impressively, the guys plan to record the new album themselves. I was curious why they would take the tougher DIY route, when today, many bands find success in crowd-funding projects through sites like Kickstarter and Indigogo. Their response was not that it was a money issue, but that they wanted control over the music and recording process. They prefer the recording process to be more casual, rather than having to be pressured by studio time constraints. And because sometimes creativity strikes at 3 a.m.

    After chatting with Alex and Nick for a while, their commitment to the band is clear. From booking, to promotion, to recording – Unbowed is doing a lot of the heavy lifting themselves. And after a few years of struggling, the guys are happy to have all band members on the same page and be able to take the projects to new heights. “We all want to do other things in our life, but we have the drive to keep at this, and we’re not going to put other things in front of the band. We all want to be a touring, professional band; record and play live – for a long time.” says Alex.

    Unbowed is a talented and hardworking young metal band. They’re important to the local metal scene because they offer something different – and they’re very good at it. I expect to see great things from these guys in the future as they play more shows, release their first full-length album, and continue to expand their fan base. And just in case you needed another reason to support them, they’re really nice guys too.

    Be sure to catch their next show this Friday, May 17 at Red Papaya in Guelph.




    Album Review: Cursed Arrows – Sonic Union

    I accidentally bought Sonic Union by Cursed Arrows. I use the word “accidentally” to explain things I did not intend to do, but ultimately did. Usually this is for a few reasons, but most times, it’s just plain laziness. “I accidentally slept in, because I didn’t set an alarm”, “I accidentally spent my whole paycheck at the merch table, but it cost the same as doing laundry”, “I accidentally got drunk because the bartender asked me if I wanted another drink”. I had intended to review Cursed Arrows‘ previous album, The Madness Of Crowds, and jumped on their Facebook Page to see if any lyrics were posted (upon further investigation, the lyrics are printed on a separate piece of paper, with the CD). I was surprised to find out that they had released something brand new, and off to Cursed Arrows’ Bandcamp I went. So, “I accidentally bought Sonic Union, but I had the money in my Paypal account”.

    Liner notes WITH lyrics. YES!
    Liner notes WITH lyrics. YES!

    It seams a lot of bands lately have tried to, or accidentally, become a sub-genre, of a sub-genre, of a sub-genre. Shedding the label of ROCK (We’ll just blame Nickelback for that). Before I go too far into what is a complete separate post, Sonic Union is just a great, naked (I’m putting theses parenthesis here to stop myself from creating the sub-genre Naked-Rock), ROCK album. Cursed Arrows deliver stories of warning, love, corruption and loss, among other things, over eleven tracks (45:28). Each track features a new character, telling a different story, from a different place. The liner notes with the download have a high resolution. I was able to read along with the record, something I’ve always enjoyed doing. I feel it keeps you attached to the music rather than being distracted by the rest of the world. Plus, I believe the sleeves, cases, liner notes, whatever you want to call them, are a visual extension of the album. So thanks for that Cursed Arrows.


    If you think the lyrics are good, trying listening to them to music!
    If you think the lyrics are good, trying listening to them to music!

    Sonic Union is heavy in blues. Heavy in noise and feedback and tone. Heavy in emotion. Heavy in soul. Not the Motown kind of soul. The, it’s from a special place, kind of soul. There are hints of Rock & Roll, Punk, Alternative, Grunge and Pop, but the album never commits to any of them. Sonic Union just dances around the fringes of said genres, staying true at the core, and commits to being a great Rock record. Cursed Arrows have created their most diverse offering to date with the marriage of so many styles. The name Sonic Union fits the album perfectly. Sonic Union and Cursed Arrows have me wishing all of my accidents could be this amazing.

    Bill Killionaire – Loose Noon EP Review

    Over the years, I’ve had the pleasure of hearing Guelph band Bill Killionaire play several times, at several different venues. Over the last while, they’ve gone from a four or five piece band, down to two, and back up to a four piece. Singer and chief songwriter Scott Haynes and drummer Nathan Campagnaro were the whole band, for at least one show I remember. Alex Ricci (Pure Joy, Texting MacKenzie) and Dan Loughrin (Bare Claws) have come in on Bass and Lead Guitar, respectfully, to fill out the roster. The four piece spent some time recording the band’s debut EP, Loose Noon, in 2012, and released it at an event in January 2013.

    Right away the opening track, Healthy Chunk, grabs you with it’s upbeat tempo. The vocals are down in the mix, meaning on the same level as the instruments. Really listen though, lyric wise, it’s a very clever song. Rather than using multiple instrument tracking and overdubs, (they could be there, but done subtly) the band uses some great vocal layering to add texture to the song. This, paired with a great guitar solo at around the 2 minute mark, make Healthy Chunk the type of song that is catchy enough to get stuck in your head (it’s been stuck in mine every morning this week), and a great opening track.

    Bill Killionaire Album Release Show
    Bill Killionaire Album Release Show

    Yours & Mine is a great, straight forward, pop song and is what a second track on any album or EP should be. It is less frantic than Healthy Chunk and at no point is there any conflict or competition in Yours & Mine.  This whole song just meshes together perfectly.  It’s good, old-fashioned, songwriting. Yours & Mine just goes to show how talented Bill Killionaire are, they’ve created a song with perfect balance that almost EVERYBODY could like.

    IMAG3823The BIG song on this EP is River Rat. It’s not big as in long, or the best, but big, as in dynamic. The song starts loud and noisy, settles into a groove, gets loud again, then quiets right down, to an almost A Capella chorus. The loud/quiet dynamic really brings out the talents of all four members of the band and also makes all of the parts of the song stand out on their own.

    Dan "Shoeless" Loughrin
    Dan “Shoeless” Loughrin

    Loose Noon ends with The Windshield And The Frost. The final song of a record can be a make or break deal. There is nothing worse, to me, than an album finishing abruptly, like it’s unfinished. The Windshield And The Frost is a perfect closer. There is a certain sadness or better, desperation, behind it. When the song, and EP, is over, I’m still thinking about it. Sitting in silence. Completely satisfied.

    You can stream or buy Loose Noon from Bill Killionaire on their Bandcamp page or this weekend at Kazoo! presents Legato Vipers, The Highest Order, The Skeletones Four, and Bill Killionaire.